The paint was either far too thick or far too runny, regardless of the amount of medium I used. I later came to the conclusion that it might have been the particular acrylic I was using from the print room, and bought the acrylic separately in an attempt to avoid it happening again. This was a particularly stressful part of the module - because no amount of printing was producing a satisfactory result and I went a good 2-3 weeks with no finished prints to speak of - however, it did give me an opportunity to test out a variety of paper to see which would be most suitable.
I ended up printing on a range of papers - Standard Matt White, SNOWDEN Cartridge and Somerset Off-white handmade paper in particular yielded a really nice end quality to them. I really liked the off-white paper, and the way it absorbed the ink - so that is eventually what I ended up moving forward with.
As a result of this particular part of the brief, I decided that in order to improve the quality of the final, I would have to improve the quality of the actual images that I was using to print from - so I re-drew them, making them a lot crisper, and adding more character to them:
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